

#AFTER EARTH MOVIE FULL MOVIE HOW TO#
How to Tell If an App or a Website Is Good for Learning.Teachers: Find the best edtech tools for your classroom with in-depth expert reviews.Check out new Common Sense Selections for games.10 tips for getting kids hooked on books.Common Sense Selections for family entertainment.Even with his charismatic dad in his earpiece calling the shots, Jaden can’t turn himself into a movie star by sheer force of Will. In his defense, the kid is saddled with a task that even a more experienced actor might have trouble pulling off: He must carry an entire action movie on his slender shoulders, given little more to act opposite than a succession of green-screen predators. Kitai’s dad-assisted apotheosis serves as an almost too-precise metaphor for what’s been happening the whole movie, with the hardworking but less than mesmerizing Jaden Smith standing in as proxy action hero for his sacrificially self-sidelined father.

In the climactic scene, cut off from communication with Cypher, Kitai performs a kind of channeling act in which his father’s voice, now internalized as his own common sense, talks him toward a solution which I won’t detail except to say that it involves some of the most triumphantly phallic use of technology since Luke Skywalker first brandished a lightsaber. Fear is not real be in the now you had the power in you all along. In the last half-hour, after Kitai slips the bounds of his father’s tech-assisted overparenting, the movie gives full voice to its animating philosophy, which resides somewhere at the convergence point of Life of Pi, Dianetics, and Stuart Smalley’s daily affirmations. I’m not sure whether Shyamalan intended this middle section to be a commentary on parental surveillance in the age of Facebook, but I can imagine how those cumulative busted-by-dad moments (and young Kitai’s eventual act of rebellion) might resonate with teenage viewers. When Kitai lies about how many oxygenated breathing capsules he has left (he’s broken some in a fall), Raige père makes him put his money where his mouth is and display the remaining capsules on screen. This paternal Panopticon, augmented by another camera on Kitai’s back and still more in the air, enables Cypher to observe every last detail of his son’s behavior. For most of his journey, the boy is accompanied virtually by his dad’s voice and face on his naviband, a device he wears on a cuff around his arm. These obstacles include super-predators who have evolved in ways dangerous to humans (a pack of slavering leopard-like hyenas, a bird of prey roughly the size of a jeep) an insectoid alien that can smell human fear and extreme weather conditions (for reasons not well explained, the Earth freezes over completely every night, so Kitai can survive only by locating geothermal pockets of warmth). The movie’s structure is as simple as a board game: Kitai must traverse a preselected path between their crash site and the tail, avoiding obstacles along the way. (Basically, this is the next-millennium equivalent of those safety flares your dad kept in the car trunk.) It’s up to the inexperienced but arrogant Kitai to make the 100-kilometer trek to the wreckage of the ship’s tail, where there’s a device that can send up an SOS signal to their home planet. Everyone but the two tough-as-nails Raiges is killed, and Cypher’s legs are both broken (“one of them very badly,” he informs his son, in a tone flinty enough to imply a compound fracture amounts to a minor hassle). The film’s vision of a ravaged post-human Earth is less a jumping-off point for speculation about our collective future than it is an excuse to strand the two main characters, the magnificently named General Cypher Raige (Will Smith) and his son Kitai (Jaden Smith) on an otherwise abandoned planet Earth, where the spaceship they were flying on a routine mission has been forced to make a crash landing. Really, After Earth is barely science fiction at all. That’s about as much detail as Shyamalan and his co-screenwriter, Gary Whitta, care to provide about the culture of the colonized planet on which their tale begins.
